Archive for category The Craft Of Writing

Writer as Actor

By Darlene Cah One of the most important lessons I learned as an improv actor was to always enter a scene with an emotion. As improvisers we had no idea what the scene was about, or where it would go, who our characters were, and what they’re relationships were to each other. We figured it […]

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Happy Tears and Sad Laughter: Displaying Emotions In A Human Way

by Jennie Jarvis In 2011, my father died of cancer. I had a great relationships with my dad, so, as you can imagine, this really sucked. When it came time to plan his funeral, however, I refused to let the event be depressing. My dad hated when things got too serious, always preferring campy action […]

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Knowing When and How to Show Your Characters’ Emotions by Brad Windhauser

Knowing When and How to Show Your Characters’ Emotions by Brad Windhauser Emotions are a tricky thing. Not because they have the ability to overtake our brains, compelling us to do both bad and good things. No, they’re tricky because everyone feels different things in different situations, and if you think someone understands your version […]

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2016: A Crossroads Year

by Ron Hayes In the Memeland known as Facebook, there’s a certain meme that has struck me kinda hard over the past few days. It’s the one that frames the new year as a metaphor for a 365-page book for each of us to write. I think the reason it resonates so strongly is because it immediately generates in me a near-overwhelming […]

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Writing For Young Audiences

by Jennie Jarvis Last month, I had the privilege of moderating a panel at the Florida Writers Conference on writing for young audiences. Speaking on the panel were the following dynamic writers: New York Times Bestselling Author Beth Revis, Comic Book writer/editor, Graphic Novelist and YA Author Roland Mann, award winning children’s book author and screenwriter […]

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Who Am I?

By Darlene Cah I am a young Latina woman who sees Jesus’ face on a window shade in her apartment in the projects. I am an elderly male, Afro-American, Jazz bassist, who connects with a white mission woman in the audience through music. I am a white, lower middle-class, Italian-American woman who elopes with a […]

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The “Other” Problem: Does Literary License = Cultural Appropriation?

by Ron Hayes As a lover and observer of language, I’ve come to the realization that I am, for all intents and purposes, a linguamorph. Or maybe it’s lenguamorph. I don’t know. Not sure which would be correct really but, given the fact I’m making up a word to match a concept, the question is moot. My […]

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Writing “The Other”: Creating Characters Different than You by Brad Windhauser

Writing “The Other”: Creating Characters Different than You by Brad Windhauser Oh, I thought a woman had written this story…. You wrote this? But you’re white… I’ve heard these types of comments expressed during fiction workshops—and not always at me. There’s a compliment buried in these reactions—in theory, the author rendered a type of character […]

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Workshopping 101

by Ron Hayes Full disclosure: I’m a snob. A HUGE snob. When it comes to writing (and poetry in particular), I chafe quickly and easily when bad verse is foisted onto an unsuspecting reader—especially when that reader is me. The proliferation across the Internet of exploitive sites that prey on the earnest honesty of new […]

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There’s a Story Here Somewhere

By Darlene Cah My team at work is really into self-awareness and self-discovery. We watch webinars, discuss our work habits, and take in depth personality tests. I must admit I love this stuff! Our most recent team analysis session had us discovering our “social styles” at work. Between the test results and the opinions of […]

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